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Amazon.com Review

In The Lives of the Muses, Francine Prose writes a spirited and enlightening exposé of nine women who fired the imaginations of some of the most inimitable artists and thinkers of the 19th and 20th centuries. With wicked wit, she shows how these women were both exemplars of their times and iconoclasts struggling to assert their own identity within the unconventional relationships they formed with these men. In doing so, she undertakes an examination of the concept of the muse in all its permutations--from the static nine Muses of classical Greek mythology, through Dante's oft-recycled Beatrice, to its ironized figuration in contemporary popular culture.
In addition to Alice Liddell, Prose looks at the following women: Hester Thrale, a long-suffering brewer's wife whose romantic friendship allowed the depressive Dr. Samuel Johnson to continue writing; the tormented Elizabeth Siddal, an opium-addicted artist who became Beatrice to Pre-Raphaelite painter and poet Dante Gabriel Rossetti; Lou Andreas-Salome, who captivated and aroused a triumvirate of original thinkers: Friedrich Nietzsche, Rainer Maria Rilke, and Sigmund Freud; the 'imperious' Gala Dali, who continued to sleep with her ex-husband, poet Paul Eluard, even as she transformed herself into a phenomenal marketing machine for surrealist Salvador Dali; Lee Miller, a model who mastered the techniques of Man Ray and others, and became a talented photographer; Suzanne Farrell, a ballerina who incarnated, animated, and was inspired to great heights of artistry by the compositions of choreographer George Balanchine; Charis Weston, one in a long line of the erotically restless Edward Weston's cast-off art wives and lovers; and the infamous Yoko Ono, who fought fiercely for recognition as an avant-garde artist as she sought to subserve John Lennon into the role of muse.
Prose draws on photographs, diaries, correspondence, memoirs, and original works of art that reveal the complexity of these artist-muse relationships, and that direct her readers to other books should their curiosity be piqued (as it undoubtedly will). Author Prose has a talent for writing provocative, invigorating prose that engages and excites the reader, inspiring them to undertake wider reading. --Diana Kuprel, Amazon.ca

Product Description

All loved, and were loved by, their artists, and inspired them with an intensity of emotion akin to Eros.
In a brilliant, wry, and provocative book, National Book Award finalist Francine Prose explores the complex relationship between the artist and his muse. In so doing, she illuminates with great sensitivity and intelligence the elusive emotional wellsprings of the creative process.

From Publishers Weekly

'I have never seen you without thinking that I should like to pray to you,' says the poet Rilke. The object of his devotion is the astonishing Lou Andreas-Salom-é the woman who played muse not only to Rilke, but also to Nietzsche and Freud. The idea of the muse seems an initially quaint, if not flatly sexist charge. Acclaimed novelist Prose (Blue Angel, etc.) confronts that honestly when she asks: 'Doesn't the idea of the Muse reinforce the destructive stereotype of the creative, productive, active male and of the passive female?' Politically incorrect or not, the muses, as Prose presents them, genuinely 'illumine and deepen the mysteries of Eros and creativity, as each Muse redraws the border between the human and the divine.' In nine biographical narratives, Prose examines a range of relationships between artists and the women who gave them their divine spark. Though the artists, among them Lewis Carroll, Salvador Dal-í and John Lennon, can easily be viewed through the lens of obsessional pathology